Hugh Dancy, Rose Byre, Frankie Faison, Mark Linn-Baker with Amy Iring and Peter Gallagher.
Hold on to your hat, secure your seat belt, the film "Adam" breaks with tradition. Imagine a main stream film, Fox Searchlight films where the women are Not the essentially irrelevant characters who appear when a need to show the otherwise perfect man mess up because of Her, the Bad one , the woman otherwise kept out of the viewer's awareness.
In Adam the women are the driving message vehicles opposing the men who have so much trouble making it in this world.
The pivotal moment is encapsulated in the concept of "the lie": the big lie, the little lie. In this film "the lie" is one and the same. When untruth is celebrated all bets are off, is the unspoken message that cries out to the viewers loud and clear.
Lies of omission (secretive extra marital affairs) and lies of convenience and lies in business, financial irregularities seem to hold equal weight in this less than exciting film.
Adam is message driven, without benefit of a hint at character change. That is not to be confused with change of behavior. Behavior, the human ability to learn, is amply shown, is actually the overt message of the film. But in this day and age with all the technological advancement in film making, with all the great ways of telling a compelling story, Adam falls so short of interesting that the audience was restless and even I had trouble crying at the film's end.
The one outstanding moment was the on scream appearance of Amy Irving. Her professional achievement was on a par with the reigning Queen of film, Meryl Streep. Too bad she was given a minor role. Imagine if the film had used a "mature" woman rather than a young, lost soul to carry the message forward?
Adam, is a lesson in not to lie, not to omit, not to manipulate and to be emotionally honest. A lesson none of us in today's world will learn no matter how much we believe in its importance.
It just ain't real.
WBAI Women's Collective