Lucas Belvaux
Wednesday, July 6 at Film Forum --2 week engagement
“.......based on the 1978 kidnapping of the French industrialist/playboy, Baron Edouard-Jean Empain. In RAPT, the victim spends a harrowing nine weeks in the hands of a criminal band, but the experience proves less life-threatening than the scandalous revelations of his secret life -- uncovered by the tabloids in the course of these events."
Commentary
I did not experience the unfolding of this tabloid perfect, gossip juicy sexual/political scandal in real life time which might have heightened the impact of the drama.
As a fresh viewer to the unfolding scandal I became enmeshed in an emotional struggle. On the one hand I wanted to remain sympathetic to the unshaven, filthy man/victim as he deteriorated in the course of his torture experience including the brutal chopping off of his finger without apparent benefit of surgical procedures. It was a struggle not to appreciate the torment of his family; his wife, daughters, mother who rightfully acquired the address of Madam with her dignified posture and demeanor.
The collateral damage to those who bore his name and blood line inflicted by this kidnapping certainly should not be endured by anyone.
However, I was simultaneously confronted with the reality of how obscene the wealth and status of privilege was for this French man who hoodwinked those who knew him best into thinking he was what he wasn’t and wasn’t what he was.
The juxerposition of two scenes brought my emotional dilemma to the fore. In the first scene we are looking at the barren, seemingly mildewed room, where a TV is turned on while the victim eats. This scene is immediately followed by the sight of The Family eating in their more than opulent dining room with the TV on, and again functioning as a distraction to the immediate task of eating.
From the one visual scene to the other the contrast said it all. Who is right in this kidnapping event? And what is justice, Injustice?
In our world where the wealthy appear to be free to act, flaunting their immorally with impunity, isn’t their wealth the real culprit, the enemy of us all?
Rapt brings this reality into clear focus. It messes with our seemingly instinctual reactions. It shows the extent to which we are conditioned to feel and it forces us to reassess what is right, what is wrong and to what extent we, the viewers, have become the mindless victims manipulated with strong music, great acting and a message which maybe in another arena we would never embrace.
What more can be asked of a great, a meaningful provocative and entertaining film?
except
that it be shown again and again to remind us who the enemy really is.
Linda Zises
WBAI Radio
