Friday, June 11, 2010

Not Knocking on Heaven’s Door:* Black Atheists, Urban America




By Sikivu Hutchinson

Late Saturday afternoon, like clockwork, the street corner preachers on Crenshaw and King Boulevard in South Los Angeles take to the “stage.” Decked out in flowing robes and dreadlocks, they fulminate into their mikes about the universe, God’s will and “unnatural” homosexuals to a motley audience waiting for the next express bus. Members of the Black Israelites, they are part of a long tradition of performative religiosity in urban African American communities. This particular corner of black America is a hotbed of social commerce. Kids who’ve just gotten out of school mingle jubilantly as pedestrians flow past fast food places, mom and pop retailers, street vendors and Jehovah’s Witness’ hawking Watchtower magazines. The Israelites have become a fixture of this street corner’s otherwise shifting tableaux. Exclusively male and virulently sexist and homophobic, they are tolerated in some African American communities in part because of the lingering visceral and misguided appeal of Black nationalism.

While the Israelites’ millennialist “racial uplift” ethos ostensibly fits right in to the bustle of this prominent South L.A. street, other belief systems are not as easily assimilated. Since 2006, the L.A.-based street philosopher Jeffrey “P Funk” Mitchell has been documenting his conversations with everyday folk on questions of atheism and faith. Using the handle “Atheist Walking,” Mitchell also conducts free-ranging inquiries into Christianity’s contradictions with a rolling video camera and a satirically raised eyebrow. Adopting the role of the bemused urban flaneur, ala the commentator- pedestrian immortalized by French poet Charles Baudelaire, he delves into “atheist spirituality,” biblical literalism and the paradoxes of faith. Mitchell is a member of the L.A.-based Black Skeptics, a group that was formed earlier this year to provide an outlet and platform for secular humanist African Americans. The Skeptics are part of a small but growing segment of African Americans who are searching for humanist alternatives to organized religion. In May, the Washington DC Center for Inquiry’s first annual African Americans for Humanism conference drew over fifty participants. Chat groups and websites like the Black Atheists of America have sprung up to accommodate the longing for community amongst non-theist African Americans who feel marginalized in a sea of black hyper-religiosity. Organizations such as the Institute for Humanist Studies cultivate African American secularist scholarship and advocacy.

With over 85% of African Americans professing religious belief, black religiosity is a formidable influence. Racial segregation, the historical role of the Black Church, and African American social conformity reinforce Christianity’s powerful hold on black communities. Indeed, I was recently told that I’d been deemed an unsuitable culmination speaker for a bourgie philanthropic organization’s young women mentees because of my decidedly unladylike public atheism (Perhaps the Israelite’s Old Testament shout-out to silent prostrate women would be more acceptable). Proper role models for impressionable black youth are, at the very least, skillful church lady pretenders with ornate hats in tow. Secular organizations that seek to build humanist community with a predominantly African American base and social justice world view are challenged by the association of charitable giving, philanthropy, poverty work and education with faith-based communities. For many, successfully emulating the strong social and cultural networks that have sustained church congregations is an elusive goal.

And then, there is the deep and abiding desire for belief in the supernatural, the ineffable faith-passion that propels some through the trauma of racial indignities and personal crisis. Yet, humanism asks why we should cede enlightenment and the potential for restoration to the supernatural. Humanism challenges the implication that the sublimity of the natural world, and our connection to those that we love, admire and respect, is somehow impoverished without a divine creator. In one of his bus stop monologues, Mitchell comments, “I want people to look at each other with the same reverence that they look at God and realize that ‘we’ did this, we made this happen.” The “we” represents will, agency, and motive force; qualities that many believers would attribute to God as omniscient architect and overseer. Non-believers are compelled to ask whether individual actions (for good or ill) are determined by God, or whether human beings simply act on their own volition in a universe overseen by God. Since time immemorial, non-believers have questioned whether God exercises control over those who commit evil acts or whether hell is the only “medium” for justice. By refusing to invest supernatural forces with divine authority over human affairs, humanism emphasizes human responsibility for the outcome of our pursuits. Morality is defined by just deeds, fairness, equality and respect for difference; not by how blusteringly one claims to adhere to “Godly” principles.

However, in communities that are plagued with double digit unemployment and a sense of cultural devaluation, notions of self-sufficiency and ultimate human agency may be perceived as demoralizing if not dangerously radical. As a child preacher steeped in the fiery oratory of the Black Church, writer James Baldwin recounted his growing cynicism about spreading “the gospel.” Lamenting the grip of religion on poor blacks, Baldwin said, “When I faced a congregation, it began to take all the strength I had not to…tell them to throw away their Bibles and get off their knees and go home and organize.” In Baldwin’s view organized religion’s requirement that believers suspend disbelief and submit to “God’s will” is a liability for working class African Americans. Religious dogma anesthetizes as it bonds, a dangerous combination in an era in which the proliferation of storefront churches in urban black communities is a symptom of economic underdevelopment.

Echoing Baldwin, Chicago-based Education professor and atheist Kamau Rashid argues that “Freethought is an extension and expression of the struggle that African Americans have waged for self-determination. In fact it represents a heightened phase of such a struggle wherein one of the final stages of ‘conceptual incarceration,’ the belief in a God or gods, is discarded for a belief in the human potential, for a belief in ourselves.”

And why, in a heritage steeped in the revolutionary thought of such dirty outlaw skeptics as Frederick Douglass, W.E.B. DuBois, Baldwin, Zora Neale Hurston, Langston Hughes, Nella Larsen, A. Philip Randolph, James Forman and Alice Walker, would this be so viscerally frightening?

Sikivu Hutchinson is the editor of blackfemlens.org, a member of the Black Skeptics Group and the author of the forthcoming book Moral Combat: Black Atheists, Gender Politics and Secular America.

*With apologies to Bob Dylan

Aging, Cancer, Genes: Science for All

"A lot of people think we're biologically programmed to die, but the truth is that we're biologically programmed for survival" - Dr. Robert Kane Pappas


So why do we get old and die? Why do some people get cancer and others don't?

I. "Treatment: The Difficulties of Making a Cancer Drug" - Malcolm Gladwell New Yorker Magazine May 17, 2010

II. To Age or not to Age, a documentary by Doctor Robert Kane Pappas to be released on July 16, 2010

III. Dr Stanislaw Burzynski The Movie. Director: Eric Merola. Winner of the "Humanitarian Vision" award at the Newport Beach Festival

Dr. Stanislaw Burzynski the Movie reveals the results of the doctor's treatments administered to paying, hopeful patients and his seemingly endless battles against the FDA. The film might have been called: Dr. Burzynski Has the Answers'

At the heart of the matter as presented in these three popular efforts to communicate with us, the laymen of the world, and the potential or actual financial backers of the endless quest to Know, is the question Why: Why Cancer, Why Age?

For the Drug industry, as discussed in the New Yorker Magazine, the question is answered with an indirect reference to the chemical makeup of the human body. If only we can find the right chemicals, the right cocktail, the problem of Cancer containment, then cure, will be solved. This is a long, expensive, exacting endeavor the fruits of which are a long way from realization. But the scientists are on their way, sort of. And the total cost to date is well beyond our collective imagination.

There are literally millions of known chemicals and many of them are being tested - going through the mandated protocols from phrase I to phase 2, then phase 3. All remedies seem to have failed to pass all three phases but hope has not died, not yet.

The outstanding question is what is the cause of Cancer - without knowing the cause can a solution ever be found? Is it the chemical composition of the body that causes cancer, and if so, isn't the emotional component as much responsible for our chemical composition as the physical mechanisms that cancer infests. Maybe it isn't an injection of the "right chemical" that is needed but someone who addresses our emotional problems with the intent of achieving mental health and stability with subsequent alteration in our chemical makeup. The Psychoanalysts of the world could possibly be in competition with the invasive substance that the scientists want to inject.

Dr. Burzynski has another idea that he has been investigating through injections into live subjects who want desperately to be cured. He thinks and acts upon the belief that the cause of Cancer is in the genes. It is our Genetic makeup that causes cancer and with the right injection of a substance to alter our genes our cancer can be controlled and eliminated or put into remission.

In effect he is refocusing our attention away from the millions of chemicals known to man and onto the chemicals that would alter genes. But....he hasn't gone through the phase 1 or 2, or 3 of the mandated process established by "legitimate" medicine, with the unfortunate result that he is constantly brought to account by the legal profession (and FDA) for his treatment method and administration and his results.

His results are not perfect - far from it - but he claims to have cured enough people with his efforts that the Federal Government (FDA) wants to shut him down for fear that..........well, that is yet to be revealed. Maybe just cutting corners (and costs) is the crime for which he has been harassed.

But what does Cancer have to do with Age and Aging? Dr. Pappas has convincing evidence that aging, that threat and reality of our bodies ever changing, does not have to be. What causes aging, he asks - a question we had hitherto decided was answered by life observed, lived and then ended most commonly before the age of 100. But Dr. Pappas says that we should live on and convinces those who watch his documentary To Age or Not to Age that aging is not normal.

Not normal! What I see and experience every day is not in sync with reality. Wow. How does he get to this conclusion?

Genes: That is the answer. He goes beyond the theory that if we consume fewer calories per day during our life time, our time on earth will be greatly elongated, our healthy life span will be seemingly endless. Beyond food means that the cause of aging is not just what we eat or fail to eat. He says the cause is in the Genes.

My observations (I am a complete layperson), based on my friends and acquaintances, are that the descendants of slaves in the southern United States come from a long-living and healthy lineage. In fact the slaves didn't just live longer than their owners, which is well documented, but the slaves and their descendants who are the parents of those in my age range outlive their children by a significant statistical margin. If Aging was just a matter of genes this could not be the case.

In summary, based on my limited observations:

The first generation were slaves
They lived the longest (discounting those murdered)
The second generation were black share croppers, small farm owners who worked the land and ate food that was unprocessed by corporations. They lived as long or almost as long as their parents.
The third generation were the children who came up North to seek fame and fortune - or just fortune enough to secure food, shelter and clothing without land of their own; they enjoyed a significantly shorter life span than their genetic inheritance would have predicted. Indeed, they often died before their parents.

Conclusion: emotional, physical factors not related solely to genes might be a significant cause of life span.

Genes are not a stand-alone cause for cancer or aging. Then why are we being exposed to gene analysis or given the rudiments of cost and future possible research for cancer at this time? What is going on? Coincidence or...... what is the Cause.

We seem to be bombarded with so much more information about the world, the Universe, the foundations of life in a test tube and the ability to replicate what had once been thought of as God giveth, and God taketh away, that there is an ever widening gap in applicable knowledge. Knowledge that will improve our lives and the lives of those we love and care for. Too much information seems to bread ignorance

This is the dilemma that confronts us every day. What food to eat, what clothes to buy, what cloth to touch our skin, what to drink, which water to avoid, which juice is okay and which is too sugary... is sugar bad or is it corn syrup or should both be avoided. These are some of the easy unanswered questions. Imagine having to think about, to live with, the uncertainty of which treatment to select, which doctor to see, which theory to bring to bear on our desire to continue to live... if living at all cost is what we want. Now there is the potential question of when should I die, should I register for prevention because I have the Gene or don't.

Chemical, emotional, physical, germ, infection, virus, bacterium, genes and more genes and the list goes on and on....

No wonder people choose to die rather than live in terrifying uncertainty.

See the films, read the New Yorker Magazine and feel like you are not alone because.........that's one truth that is indisputable: we are all in this together.

TO AGE OR NOT TO AGE
Opening July 16, 2010

Dr. Burzynski The Movie
available on DVD

Thursday, June 10, 2010

Mother and Child: Now playing in New York theaters



writer-director Rodrigo Garcia (Nine Lives) and executive producer Alejandro González Iñárritu (Babel)

“MOTHER AND CHILD


Opens Friday, May 7th in NY at the Landmark Sunshine and Lincoln Plaza Theaters

Starring
Annette Bening, Naomi Watts, Kerry Washington
Samuel L. Jackson, Jimmy Smits

with
Shareeka Epps, Cherry Jones, S. Epatha Merkerson, Amy Brenneman, David Morse, Marc Blucas, Elizabeth Pena

plot: Three women's lives share a common core: they have all been profoundly affected by adoption.

Mother and Child opened on May 7th to coincide with the great Mother's day recognition/celebration events that bode only good, kind and charitable warmth on women who assume the role of Mother.

While the phrase "happy mother's day" is repeated often throughout the day from even strangers to women they think might be a mother the phrase reemphasizes our fantasy notions of mothers which is even more potent when combined with "mother and child" Almost like the idealac Madonna recreated in all those perceived to be mothers, an image that is more destructive to human relations than supportive of women as real, complex vital contributors to society.

In Mother and Child the Mother is difficult to like and the child is adopted; Not of the mother's loins.
And the men........they are quietly supportive or not, in contrast to the role that men of this generation of new fathers are assuming.

To experience our fantasies crumble, delivered with brilliant actors and unusal clarity with attention to minute details is an experience that is essential for sorely needed change.


My mother was not a likable, lovable person. But she was my mother and as an adult I embraced her as such. If the fantasy of the mother had never existed, to accept my mother as she was wouldn't have been as difficult nor painful

And that is why I recommend this film. See Mother and Child and reunite with reality

Friday, June 4, 2010

Life During Wartime: To Forgive or Forget?



VENICE FILM FESTIVAL 2009 / WINNER – BEST SCREENPLAY
TORONTO INTERNATIONAL FILM FESTIVAL 2009
TELLURIDE INTERNATIONAL FILM FESTIVAL 2009
NEW YORK FILM FESTIVAL 2009
BOSTON INDEPENDENT FILM FESTIVAL 2010

Directed By Todd Solondz (Welcome to the Dollhouse, Storytelling, Happiness, Palindromes)

Starring: Shirley Henderson, Ciarán Hinds, Allison Janney, Ally Sheedy, Paul Reubens, Michael Lerner, Chris Marquette, Charlotte Rampling, Dylan Riley Snyder and Michael Kenneth Williams

Extraordinary acting! A brilliant Plot: A mature Todd Solondz brings the theme of Happiness into a fuller, ever more intense film about Sex, Crime and the "ideal" Family Life.

Plot:
Separated from her incarcerated husband Bill (Ciarán Hinds), Trish (Allison Janney) is about to be married again. Bill is a pedophile, so Trish couldn't be more excited to have Harvey (Michael Lerner), a “normal” father figure for her two sons. But when Bill is released from prison and the boys finally meet their future stepdad, the family is forced to decide whether to forgive or to forget.

There is so much happening in this intellectual exploration of our prejudices, our frailties that cloud our preceptions and make our decisions often not in tune with our best interest nor of those we care about. At the heart of the film is that all important question of fatherhood, what does it mean to be a father, what does it mean for a man and for his son.
This identity issue looms large while the crimes that the father commits seems often trivial to the lies that surround and permeate us all. But who is the Father.

There is strong evidence throughout this film that the personal father with whom we immediate associate to "father" also refers to Israel, the Fatherland where the same criminality issue felt and experienced for this country that murders, bulldozes homes and has striped life as we know it from huge number of people in the Middle East is the Father exposed in Life During Wartime with all the complexity of feeling/thought/duplicity/longing for a better person /country to embrace.

Pedophilia is a crime. The crime's of the paroled men are multiple. Crime crime crime but even for a criminal there is a humanity and that is the point...to look at our committed lies politically and personally: Do we forget? Do we forgive? And if we forget, will we ever remember again.

Life During Wartime uses brilliant human interactions to carry it's message and there were many moments when I felt certain this film would be one of my favorites of all times but

As with so much of politics, it lack an emotional device to pull me in or get me involved in a primitive non intellectual way and that unfortunately is the life blood of the film viewing experience.

To forgive or forget: that is the question because you can not forgive what you have forgotten.
Life During Wartime is a film you won't want to forget.

Opens theatrically in NY on 7/23

The Solitary Man: middle age woes

Brian Koppelman
David Levien

A car magnate watches his personal and professional life hit the skids because of his business and romantic indiscretions.

Susan Sarandon, Danny DeVito, Mary-Louise Parker and Jenna Fischer


Alone, "talking to your bed at night"; the other side of the bell-shaped U-curve, Michael Douglas, along with Susan Sarandon and Danny DeVito, bring to the screen the ups and downs of a once successful man as he strives to maintain his distinguished position as a "respected" member of society while all the measures of his valued worth crumble.

This is not an easy film to watch. Detailing the loss of vitality in a man who seems unable to adapt to his changed self - the lack of integrity, the unscrupulous behavior, particularly sexually - even the great Michael Douglas loses his appeal in this portrayal of the middle-aged man in our midst.

While the dialogue is consistently strong, the plot construction and scene transitions fail to work at a high level . Overall, the film might not hold the viewer's attention but it does address a serious problem for those who are fortunate enough to live into old age.

For a look at life without that sexy youthful appeal, see The Solitary Man.

Now playing in New York City theaters.

Thursday, June 3, 2010

Israeli Assault: To Cover up or Expose. That is the question!

By Yvonne Ridley
edited by Linda Zises

June 01, 2010 "Information Clearing House" --

How many of you remember the hijacking of the Italian cruise ship the Achille Lauro way back in October 1985?

Four members of the Palestine Liberation Front took control of the liner off Egypt as she was sailing from Alexandria to Port Said.

It was a bungled operation in which the hijackers killed disabled Jewish-American passenger Leon Klinghoffer and then threw his body overboard.

The incident created headlines around the world and polarized people over the Palestinian cause.

It also prompted the law makers to create new legislation making it an international crime for anyone to take a ship by force.

And this is the reason for the brief history lesson - under article 3 of the Rome Convention for the Suppression of Unlawful Acts against the Safety of Maritime Navigation of 1988, it is an international crime for any person to seize or exercise control over a ship by force, and also a crime to injure or kill any person in the process.

The treaty necessarily adopts a strict approach. One cannot attack a ship and then claim self-defence if the people on board resist the unlawful use of violence.

In other words, according to international law, the actions of the Israeli military were beyond the law and those involved should be treated no differently than, say, the Somali pirates who are also in the habit of boarding ships by force.

Any rights to self defence in such dramatic circumstances rests purely with the passengers and crew on board. Under international maritime law you are legally entitled to resist unlawful capture, abduction and detention.

What those on board the Freedom Flotilla did was perfectly legal. I believe they acted with great courage in the face of heavily armed IDF commandos, while others might have thought their actions reckless.

Several people paid the ultimate price for their international right to resist.

What will you, what will the World do now?

Thursday, May 27, 2010

"Glow in the Dark Penis" revisited:

"Glow in the Dark Penis" a tag/hook, a phrase which appeared years ago on the blog "criticalwomen of film' still attracts "hits"; Internet surfers from around the world; 111 to 116 countries/territories per month are repeatedly registered on the Google scale. At the core of this statistical success is the experience of the hidden desires of those who suffer from guilt; the so called "pervert".

It is a brilliant phrase because it uses the word penis - which is one of those trigger internet suffer words - coupled with the word Dark which denotes hidden/ forbidden secretive sexual thoughts. In short, it appeals to those steeped in guilt

Guilt: How strange, how powerful it is!

It's source can be either: Heinous acts of destruction (murder) or acts or ideations of construction (sex) or anything that makes us feel "bad'.

Did the Ancient Greeks experience guilt? Most likely not.

In the caveman times, was guilt a prevalent emotion? Not likely.

Today almost every adult feels guilt from one source or another and our children are inheriting this crippling emotion as well.

Common sources of quilt:

i didn't separate out the metal cans from the newspapers,
I help pay for the next generation of Drones or the nuclear bomb dropped on civilians or
I killed a man because I was told to..........
I killed a man and I don't know why....
or did I dream it,
imagine it.


I want/crave a man's penis in my mouth.
I want to taste his semen
I want to get into that woman's pants
I want to live..........
without pain
and I can't.

I am guilty because I think about suicide all the time.
I think about masturbating, then I do it
to feel better
but it makes me feel guilty
which is worse.

I killed a man
I watched him die
I saw his blood
it was real,
I saw life flow from his limbs
I am guilty

I killed a child
he was running
i said
I think I said "stop"
but he didn't

I banged open the door
a private space
exposed:
A home
their home
my gun held just so
my fingers worked without thought
I am a killer
A hero

My flesh littered with tattoos
indisputable though revocable
evidence
I am guilty

Yet to be charged
I punish myself
everyday

I live in hell
in silence
in eternal
Agony

Freud said Americans substitute aggression for sex. What he meant is that the processes for guilt-formation and the struggles that this emotion poses are substantially confined to Aggressive acts in this country as opposed to the illness from sexual ideation experienced in the Europe of his lifetime.

Although I think this is changing what has happened is an entire industry propelled by an undertone of religious indignation that is infiltrating the "Women's liberation" movement; a worldwide prohibition against sexual strivings which is ever increasing in its visibility and its wealth of ideas, actions identified as worthy of reprimand/prohibition.

What happens, and we see/hear it in the news to the point that it no longer surprises even the most virtuous among us, is the very people who talk the talk do not act in accordance to the good 'clean" life.

They are and have always been the repressed but repression does not work. The repressed ideas become an energy block, like a huge onslaught of fast moving water stopped at the point of urgent egress it must find an outlet.

We block our human nature to conform to a pathological state of purity.

Into this mix of gratifying both the aggressive drive and the sexual drive is the ever growing sex trade, pornography and all those trigger words that makes a blog, a web page garner notice.

Is this a problem?

Or is pornography a solution, an answer to pathological fallout from War?

Should it be legalized along with Pot and Liquor and masturbation?

"Tell me, Daddy, what did you do in the army? What did you see?" are questions that are seldom answered and for good reason.

Although we know this, my point is that there is a relationship between this obvious omission of communication and the proliferation, the need for pornography to ease our pain.

That is the human condition, our living hell.

Our experience of ever increasing and more urgent feelings of quilt.

Wednesday, May 26, 2010

The Killer Inside Me: Interesting but............?

THE KILLER INSIDE ME

Michael Winterbottom

Based on a novel by pulp writer Jim Thompson:

An idyllic West Texas town in the early 1950’s:
handsome, charming, unassuming small town sheriff's deputy, Lou Ford (Casey Affleck) has difficulty juggling his long-term girlfriend Amy (Kate Hudson) and a prostitute named Joyce (Jessica Alba). His siopathic tendencies steer him and us, his audience towards an unusual finale.

Does it matter to you if the basis of a file is right, true to its depiction of the potential for human behavior? That is the underling question posed by this film, a difficult one to answer.

There is no question that emotion, such as anger, can trigger behavior that seems to defy intelligent mediation. We have all experienced going from an identified feeling to an action we would later regret. Can this happen with the intellectual/emotional experience of "Love" or is it more to the point that the experience of the sexual orgasm is what triggers an unconscious or preconscious reaction? In this film, The Killer Inside Me this is an essential question because it is the basis of the plot, the foundation of the story.

If the latter is what holds true and the former not, then this raises the question of authenticity - not an easy one to answer, but important nonetheless.

I don't know about seeing the film on a large screen. I recommend The Killer Inside Me be seen, at home, on DVD.


Release date: June 18th
The film will be available simultaneously on VOD

Tuesday, May 25, 2010

Finding Bliss: pornography in the making

Cast: Leelee Sobieski, Matthew Davis, Donnamarie Recco, Denise Richards

FINDING BLISS, a romantic comedy that explores the adult film industry through the eyes of an idealistic 25 year-old award-winning film school grad, Jody Balaban (LEELEE SOBIESKI).

With sex as the landscape and pornography the issue to be explored, punctuated with visual images that manage to stay on the date-flick side of the divide, it is hard to imagine how this film will not make back the money spent on its creation.

An interesting film that addresses issues rarely spoken about even in those private moments when "the girls" get together: the fear of inability to perform is not limited to men, not in this country, this century. It is a universal fear but women rarely admit to feelings traditionally attributed to men. In Finding Bliss this curtain of silence is lifted and the "good girl", the Virgin of choice, is exposed as a frightened child trying to survive in an adult world.

The film is compelling in content but is amateurish in construction and weak in acting. There is so much good and so much lacking in this film that I recommend it with strong reservations.

Hopefully writer/director Julie Davis will learn more about filmmaking before she attempts to bring her compelling and important ideas onto the screen again.

Release Date: June 4th, 2010 (limited)

Paper Man: funny/poignant, one of the year's best


Written and Directed by: Michele Mulroney & Kieran Mulroney

Cast: Jeff Daniels, Ryan Reynolds, Emma Stone, Lisa Kudrow, Kieran Culkin

Comedic Drama

Richard (Jeff Daniels), a failed middle-aged novelist quirky in his immaturity as contrasted to his wife (Lisa Kudrow), a physician who embodies the ultra-successful adult persona.

Richard embarks on a month-long trip to Long Island's pristine winter setting, a self imposed solitude, to lift his "writer's block". During his stay, he rides around on a child-size bike, a symbol of the child persona that engulfs this 50+ year-old man. While on a trip to town Richard befriends, and hires as his babysitter, Abby (Emma Stone) - a 17 year-old victim of childhood trauma that has left her accepting a masochistic male companion even though or rather because he degrades and hurts her.

The comedic element is mostly based on the contract between Richard and others. Richard relies heavily on his imaginary friend, a costumed superhero known as Captain Excellent (Ryan Reynolds) whom no one other than Richard sees, but his wife knows about. Abby's equivolent "super man" is a fellow ex-"loony bin" friend who follows her everywhere.

Given the details of the plot it is difficult to anticipate that this usual older man/very young girl scenario is a film worth seeing. But this film is very much worth seeing because the dialogue and the hook, an extinct bird, are so compelling that it raises the film into the realm of Great.

Paper Man's extinct bird is America, a country which has outgrown its 'super power of the world' status and along with it the comic book character Superman or Captain Excellent. Richard's problems and our problem are twofold: In a society that has no factories, that makes no thing, what do we do with our Hands? What can we make - Origami, slice up fish, sofas out of books.............nothing of substance, of inherent worth. We are insubstantial people and what we manufacture is unhappiness and we, the denizens of this once productive, thriving super power America are becoming extinct, like the bird.

The political/emotional impact of Paper Man is immense. We are all victims - of the fallout from the cell phones/computers, all means of non communication communication. We don't even type on a substantial Corona typewriter anymore. We tap delicately on our computers, barely touching the keyboard.

The imagery is endless, delivered in the most delightful, funny interactions that resonated deeply.

It all felt so real, as if I was involved in the scene right there with the messy eating of a Lobster, the slicing up of the Fluke, the making of a sofa out of unsold books that otherwise would have remained in unopened boxes for ever and ever, and the arguments between husband and wife.... I've been there, i heard them, I've had them.

I see an average of 7 to 10 films a week, standard for today's film reviewer. But Paper Man was so rich in detail, so compelling a film that I saw it twice within three days. What else can I say?

PAPER MAN opened Friday, April 23rd